In Coralie Fargeat's new feminist horror movie The Substance, harmful popular appeal criteria are the genuine beasts. They (female objectification, the fingertip of "the outdated," the spread of an industry built on body adjustment) nourish a beast of a cycle that leads Demi Moore's fading television individual character Elisabeth https://theabominationfan.spintheblog.com/30351320/margaret-qualley-the-substance-2024